Field Notes from a Wine Life ? Media Edition

Odds and ends from a life lived through the prism of the wine glass…

Rex Pickett

If you’re not reading Rex Pickett’s (author of Sideways and Vertical) blog, you are officially remiss.

Pickett is a gifted writer who cranks out perfectly incubated long-form posts with turns of phrase that are both wry and rich, offering insight into the machinations of publishing, film and stage that few culture vultures grasp.

Pickett recently wrote an extensive (3900 word) post on the reasons why a film sequel to Sideways (directed by Alexander Payne) would not be made from Vertical, Pickett’s book sequel.  In doing so, Pickett offered a discursive meditation on Payne’s artistic pathos and the factors that may be playing into Vertical’s stall on the way to celluloid.

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Unfortunately, Pickett removed the post after re-publishing a second version that deleted much of the armchair psychologist rumination he originally channeled from Payne’s psyche.  An email inquiry to Pickett on why he removed the post (in either iteration) has gone unanswered.

If I were a muckraker, I would publish the post because Pickett’s deletion of the post from his site did not delete the post from RSS feed readers like Bloglines or Google Reader.  But, I’m not a muckraker…

Hopefully, Pickett will revisit the topic in a manner that is less confessional and more elucidation because it was worth the extended read time.  Until then you can read the other posts on his site and gain tremendous insight into the vicissitudes of the publishing process, what the afterglow is like after capturing the cultural zeitgeist and how he’s helping bring Sideways to the theatre with a stage version.

It’s definitely recommended reading.

A Discovery of Witches

While we’re on the topic of books and authors (and with Halloween around the corner), a reinforcing mention goes to Deb Harkness of Good Wine Under $20.  Earlier this year a little book she wrote called, “A Discovery of Witches” was published and immediately shot up the best sellers lists.  The movie rights were acquired this summer by Warner Bros, likely securing Harkness’ financial future in the process.

While I read fiction infrequently (the last fiction book being Vertical by Rex Pickett), those that I know who can tell the difference between kindling and a classic call A Discovery of Witches “mad genius.”
Any conversation about a wine blogger doing good should begin with Deb Harkness who is now dabbling in rarified air.  Pick up her book if you haven’t yet.

Bargain Wine Books

There’s little doubt, in the prolonged US economic malaise we’re experiencing, that “value wine” and “bargain wine” are hot topics.  Heck, an entire channel of business has been defined with “Flash” wine sale sites.  Given that, it shouldn’t come as a surprise that a couple of wine books would be published with this specific focus.

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What is a surprise is that the books are authored by wine writers with real chops engaged in offering a deeper narrative than the slapdash compendiums of wine lists that has passed muster in years gone by.
Just in time for the holidays, Natalie MacLean has Unquenchable: A Tipsy Quest for the World’s Best Bargain Wines publishing on November 1st and George Taber, a wine writer on a tear with his fourth book in six years, has A Toast to Bargain Wines: How Innovators, Iconoclasts, and Winemaking Revolutionaries Are Changing the Way the World Drinks publishing on November 15th.

An Idea worth Duplicating?

Celebrity deaths come in threes and new wine ideas come in twos.

We’ve seen this duplicative market entry in recent years with winery reservation systems CellarPass and VinoVisit and now we’re seeing it with quasi-wine search engines.

WineMatch and VinoMatch are both in the early stages of launch purporting to help a consumer match their likes with wines they might enjoy.

Meh.  The problem with these sites isn’t that consumers don’t need help finding a wine they like, the problem is that most wine consumers don’t understand what kind of wine they like.  Yes, it’s the tannins that dry the back of the mouth and its residual sugar that makes that K-J so delectable…

By the time consumers figure out their likes and dislikes graduating beyond the “go-to,” they don’t care about having somebody help them “match” their wines to their tastes because they’re on their own adventure.

It’s just my opinion, but these sites face looooong odds of finding consumer success and short of the slick willy seduction that happens with some wineries who haven’t been bitten and as such aren’t twice shy, they won’t find *any* success.  But, I’ve been wrong before, at least once.

Pictures and Pithiness

While we’re on the topic of online wine services, I’m not sure whether I should be happy or aghast that I’ve been a habitué of the online wine scene for long enough to see a derivative – it’s like watching a remake of the movie Footloose when I was saw the original in the theatre.

There’s a new wine site called TasteJive that takes the concept of a wine blog called Chateau Petrogasm, popular in 2007 and 2008, to new heights.

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Around the premise that a picture is worth a thousand words even if that picture has nothing to do with wine, they have created a site that provides nothing but visual metaphors with a 140 character description for finding wines you might like.

I loved the idea of Chateau Petrogasm, I like the idea of a perfectly crafted 140 character slug, but I’m very uncertain about the community aspect of TasteJive—the users who control the uploading of pictures and descriptions.

As noted mid-20th century photographer Diane Arbus said, “A photograph is a secret about a secret. The more it tells you the less you know.”

Not exactly a recipe for success in bumping into a wine.

Source: http://goodgrape.com/index.php/site/field_notes_from_a_wine_life_media_edition/

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iTunes Now Includes All Podcast Episodes

This podcast predates iTunes so when it started only a portion of my shows appeared on the feed. After I posted my latest podcast I decided it made sense to consolidate all the shows into the iTunes feed with all future podcasts published in mp3 format. Down the feed to Winecast 33 are enhanced AAC [...]

iTunes Now Includes All Podcast Episodes originally appeared on Winecast. Licensed under Creative Commons.

Source: http://feedproxy.google.com/~r/Winecast/~3/aa6lH_SXTNY/

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Kendall-Jackson Humanizes Their Brand

It’s rare when network TV and wine come together but when it does I take a look. I’m not a regular viewer of Undercover Boss but might be after this episode at Kendall-Jackson Wine Estates. New President Rick Tigner works at the bottom of this organization and learns a lot. And he does the right [...]

Kendall-Jackson Humanizes Their Brand originally appeared on Winecast. Licensed under Creative Commons.

Source: http://feedproxy.google.com/~r/Winecast/~3/x4ruIoL8u44/

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Value Alert: 2007 Atlas Peak Napa Cab

I stopped in to pick up some wine at The Wine Cellar of Stoneham today. Before going I spoke with Mike Reardon on the phone and asked him if he had anything new or interesting I should check out. He mentioned this wine - the 2007 Atlas Peak Cabernet Sauvignon.

There is an ocean of wine looking to get our attention at any given moment. After a while the names start to blur together. Avalon. Geyser Peak. Atlas Peak. Without knowing any better I start to assume they'll all be servicable but otherwise non-descript juicy red wines. But this one was special.

Atlas Peak is all about producing wine from mountainside sites in Napa Valley: Howell Mountain, Mount Veeder, and Spring Mountain. They produce bottlings from each of these sites in the $60 range. The Napa Valley wine retails for $38.

Here are my thoughts on their 2007 Napa Cab. I think it could do really well in a blind tasting with wines costing up to $60.

2007 Atlas Peak Napa Valley Cabernet
$38 Release Price
14.5% Alcohol
$19.99 at the Wine Cellar of Stoneham

What a beautifully balanced, flavorful, and enjoyable Napa Cab. Very aromatic right upon opening. On the nose I get dried blackberries, supporting savory notes and a little perfume in the background. Mouth-filling with slightly sweet chalky tannins and a milk chocolate after taste. Good grip, a touch of a acid, and nice length. An impressive accomplishment at or around $20. If you like Honig Cab (which I do) I think you'll like this too.

92/100 WWP: Outstanding

Next Steps:

I've been tasting a lot of wines lately I'm looking forward to writing about. I'd love it if you subscribed to The Wellesley Wine Press so we can keep in touch.


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A ?Zinful? Experience

Last Saturday I was lucky to be able to attend the Zinfandel Festival at Fort Mason in San Francisco. ZAP, The Association of Zinfandel Advocates & Producers celebrates Zinfandel America?s Heritage Grape and is dedicated to preserving the history of Zinfandel through the Heritage Vineyard at UC Davis. It is the largest single varietal tasting [...]

Source: http://blogs.fairplex.com/blog/wine/?p=36

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Is Kosta Browne Pinot Noir Age Worthy?

Kosta Browne Pinot Noirs are some of the most luscious, rich, ripe and delicious new world Pinot Noirs on the market today. Their mailing list was already hard to crack before their 2009 Sonoma Coast Pinot Noir (95 points, $52) was named Wine Spectator's Wine of the Year. Now it's harder then ever to get an allocation of their wines or to find them at or near release price at retail.

 Their wines have a reputation for being big. Perhaps too big for some given the expectation that Pinot Noir should adhere to its Burgundian roots. But there's plenty of new world wine enthusiasts who unabashedly love the Kosta Browne style for its velvety mouth-filling texture, generous fruit, and hedonistic deliciousness. Myself included.

 This style makes Burghounds question: Are their wines age-worthy? The fruit will fade but the alcohol won't. Will these fruit bombs be in balance when they age?

 I spotted an older bottle of theirs on an offer from The Spirit Shoppe (long-time supporter of the WWP - check 'em out) so I thought I'd take a chance to see how well their wines hold up at 10 years post-vintage.

 I should mention up front that I enjoy wines on the younger side. I haven't had many "ah ha!" moments where I tasted a wine with significant age that made me want to invest in long-term cellaring.

 High quality Napa Cab is typically relased with about 3 years of age. California Pinot Noir is released earlier - about 2 years post-vintage.

 As a broad rule of thumb I'd say I like Napa Cab at around 4-8 years, Bordeaux at around 10 years, and California Pinot Noir at around 3-5 years. It's one of the reasons I like California Pinot Noir so much - it's a low-fuss wine.

 For me, Kosta Browne is the George Clooney of California Pinot Noir. Here's what I mean by that... When you watch an old episode of E.R. Clooney still looks cool. Contrast this with the style of Don Johnson in Miami Vice: Cool at the time but in hindsight a little extreme and now dated. Kosta Browne is like Clooney because it's maintained roughly the same style but has evolved over time. And thier style has been fashionable all along the way. Most other wineries envy their popularity, yet some may take swipes at them behind their backs. But you can't help but like them and want to hang out with them.

 Looking back to 2002, it was the year before their wines hit the big time and snared 95 point ratings from Wine Spectator. Their first publicly released wines were from the 2000 vintage. Spectator didn't rate their 2002 Russian River Valley Pinot but they did score the Sonoma Coast 87 points. When retasting it this year as part of a retrospective Kosta Browne review they rated that same wine 84 points. In other words it's a little tired.

 Here are my thoughts on the 2002 Russian River Valley:

 2002 Kosta Browne Pinot Noir Russian River Valley
14.6% Alcohol
1,300 Cases Produced
$28 Release Price (back in the day)

 Slightly browning transparent brick red. There's a hint of what this wine once was on the nose with light fruit and a touch of herbaceousness. Nice full viscosity on the palate and a medium-length finish. Ultimately it seems like this wine has been reduced to its most elemental components: Some fruit up front, weight on the palate, and alcohol in the background.

 85/100 WWP: Good

 Conclusion:

 Tasting this wine felt like walking through Cooperstown right before closing on a quiet night. You can see the markings of a star early in their career but they haven't started to put up the .300/30 HR/100 RBI numbers just yet. A fascinating experience tasting this wine early in Kosta Browne's trajectory.

 Further Reading:

 Visit the Kosta Browne website to learn more and sign up for their mailing list.

 Question of the Day: What drinking window is your benchmark for high quality California Pinot Noir?

 


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Canonica A Cerreto Sandiavolo 2004

I just had this lovely Italian wine the other day. It's a so called SuperTuscan so its made of other grapes that the local Sangiovese. The Canonica A Cerreto Sandiavolo 2004 is made of Cabernet Sauvignon, Merlot and Sangiovese. Canonica A Cerreto is located in the heart of the Chianti Classico area in the town of Castelnuovo near Sienna. They also make traditional Chianti Classico but this one is their top wine only produced in the best vintages.

Source: http://www.wine4freaks.com/46/canonica-a-cerreto-sandiavolo-2004/

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